Comparing Boss PW-2 with Electro Harmonix Big Muff

20131021140024eddieThe Electro Harmonix Big Muff is a classic distortion pedal which carries that characteristic Fuzz tone. It’s tone control is unique and can give you many different sounds from dark, muddy bass to bright and trebly sounds and everything in between. Its sustain control gives you unique overtones which gives you the idea you hear a tone above the one you are playing. So far the facts about the well-known Big Muff, now over to a lesser known fact:

Boss’s Power Driver (PW-2) is loosely based on the sound of the Big Muff: It does have two tone controls: one for bass and one for mids, the Drive controls acts like the sustain on the Electro Harmonix. Keeping both the Bass, Mid and Drive  control down you get a similar sound as on the Big Muff: It sounds less wed and sounds almost like a regular distortion pedal. Opening up the Drive makes the pedal sound fuller and bigger, but it also exaggerates your sound, similar as with the Electro Harmonix. The Bass and Mid controls are called FAT and MUSCLE respectively.

On the plus side: The Power Driver is smaller than the Big Muff, may be easier to fit on the average sized pedal board.
The Power Driver does have a lot of bass when you open up the FAT control, this may sound similar to one of those Russian Big Muffs from the 90s.
Again, as said before, the PW-2 is loosely based on the sound of the Big Muff, comparing them side by side the Electro Harmonix does sound fuller and more organic compared to the smaller PW-2.

There are about nine different versions of the Big Muff, I used a recent version for my tests.
Check both pedals out if you get a change, they both sound good and will keep you playing for hours.

Happy playing and hope to catch you soon again,

Guitar Lesson: Use Two Handed Fret Tapping to Create Chord Sequences

20131215184822eddie 2For this article a few tips on how you can incorporate two handed fret tapping to outline your chord sequences.
Two handed fret tapping is simply the idea of using the fingers of both your fretting hand and strumming hand to create a larger span on intervals to get your music across.
Two handed tapping became popular in the late 70s and 1980s, but is has been around for much longer but never gained the popularity as it did during that period.
One of the hardest parts of this technique is to incorporate the technique into your own guitar playing without it sounding like a gimmick. One of such a use is the one I want to introduce you here today: Use two Handed tapping to outline chord shapes and sequences.

It is a must that you see your chord shapes in various places across the fret board, especially when you play at higher speeds.
Tapping does not have to be played at super high speed, but yes, you do need to play a bit quicker for the notes to ring. When you play very slowly the notes will die out quickly, because a fretted note on the guitar does not have the sustain as a note being played on the Trumpet!.

One idea you can use is to start your chords on the Root note: use your fretting hand to play the Root note, then add other notes of the chord with the rest of your finger of your fretting hand and strumming hand. Create a little rhythmic idea for the notes to make sense.

You can record a chord sequence using one strum per chord then play the tapping over the top of your recording. Use the tapping to outline the chords you recorded before.

Once you can outline the chords try to add a little melodic motif along the chords. You do not need to tap the same pattern over and over again, make variations based on rhythm and harmony.

Once you get the hang of this technique you will start to discover more and more and how you can use this technique into your own playing.

Have fun and hope to catch you soon again,

Guitar Lesson: Learn to Use C-Chord shape as moveable chord shape

20131228140041IMG_2980Most beginners get introduced to open chord shapes right in the beginning. Open chord shapes do share a combination of fretted- and open string notes. Most of these open chord shapes can be used as moveable chord shapes. Sometimes these chords are being referred to as barre chords.
For this article I want to introduce you to the some chords which use the open C shape. The shape of the chord is similar as the well-known C chord, but some of these chords will be fretted higher up the fret board to create other type of chords.

Here is the open C chord again, which uses two open strings and three fretted notes
E –0———-
B –1———–
G –0———-
D –2———-
A –3———-
E ————-

Now try this chord here which is an E chord, using the open C chord shape to create its sound:

B —–5—–
G —–4—-
D —–6—-
A —–7—-
E ———-

How do you know this chord is called an E chord? By looking at where the Root notes are: On the open C chord the Root is on the  A and B string, for the chord above this is similar, there is no change to how the notes are being grouped: There is an E note on the 7th fret of the A string and an E note on the 5th fret of the B string. Remembering where the Root note are in the chord shape is a useful tool to identify which chord you are playing.

Here is another one, this time it is a G chord with its Root on the  A string 12th fret and B string 8th fret:

E —–7—
B —–8—
G —–7—
D —–9–
A —–10–
E ———

Which fingers do you use to play the moveable C shape chord? You can barre your first finger for the notes found on the high E and G string: Both these notes are on the same fret number, therefore it makes sense to create a little barre using your first finger. For the rest of the chord, play it like how you would play and open C chord with the difference that you use your pink for the note found on the A string.

What is good about using moveable C shape chords? They sound bright and sound clearer compared to moveable chords of the E-and A-type.
You can move your fingers up along the fret board to create different types of chords, great!

Try to use to moveable C chord as much as you can to get the shape into your finger, and ears.

Hope to catch you soon again for some more guitar inspiration.

Beginners and Moving Out of Playing in Open Position

20140222153811IMG_5187Most beginners will learn to play the guitar using the open position. They will combine using open strings combined with the use of some fretted notes.

Playing in the open position is fine but it may not be the easiest position to play in: Your wrist is at an angle no matter what you do, an easier position for the guitar is the fifth position.
Now how do you go from playing in the open position to playing in the fifth position? Try to find the same notes you already play, and find those notes in the fifth position and just play. Look at the angle of your wrist when you use the fifth position: You will notice your wrist will looks straight compared to how it was when you play in the open position.

An easy and enjoyable way to  play higher up the fretboard is  to play simple riffs you already play in the open position,  simply move them up and play. Start playing one note in the open position and find the same note higher up the fretboard, carry on with this until you have covered all the notes for your riff and just play the riff now in the higher position. One way to remember the position of your fingers is to write the riff down in tab using the fretnumbers of the higher position. Once you have written down the riff, play the riff several times and try to remember the  fingering. Once you can play a few riffs higher up the fretboard you will start to see where the notes are located compared to the notes in the open position.

Chords what about chords? Good question! Well, you will need to use different chord shapes which will work in the higher position. Start using barre chords, if you are new to them learn one barre chord shape and try to move this shape along the fretboard. Using some barre chord shapes will improve your playing and your chord knowledge.

Good luck and hope to catch you soon again.

Better Sound from Your Guitar Amp? Turn Volume Up!!

20140314141252IMG_4368Simple idea really but  maybe not always practical for you to do? For this article a handful of ideas of how you can manipulate the volume of your amp to get a better sound.

We all know the tales of “Turn Up all Your Controls to 10 and Just Go” Try this is a small room and you know how long you can stand that sound and how well you play. So is there some truth in the myth or is it all nonsense really?

Turning up any guitar amp will make them sound better, the sound becomes clearer and what you really notice is the bass response: Bass needs a bit more power to be heard (and felt) This is why bass speakers tend to be bigger compared to the average guitar speaker.

Before you turn your amp up have a look at where you play: Do you play in a small room? A larger hall or………? The room helps to amplify your sound, try to work with it: There are the acoustics of the room, a room which is full of echo will not sound good when you play too loud. It is better to kill some of the echo or simply turn your volume down.

If you are playing regular gigs you may have noticed that your guitar sound is different on each night. What is this? The room where you play and whatever else goes on. Ideally you should adjust your guitar sound to where ever you play, not doing so may give you an unpleasant playing experience.

Okay back to the amp and volume: A simple thing to do is, just turn amp half way, or just over and play. If the sound is too loud, just turn the volume down on the guitar. Turning volume down on guitar will end up in loss of brightness. The loss of brightness may not be a problem if you do not like it try another way:

Use a pedal like a graphic EQ, a booster or a simple distortion pedal, or a compressor. Most of these pedals will have a volume control, use the volume control to set the level to where you like it. Hopefully you can use your pedal to control only the volume without using its effect. EQ’s and compressors are good at any of this, but boosters may also be fine.

Get into the habit of setting your guitar volume a bit louder than what you really need and get used to its sound, go back from time to time to setting the amp at lower volumes and compare its sound.
By setting the amp at higher volumes you may gets some hiss, but do not be put off by any of this, the hiss will only be noticeable when you stop playing.

Enjoy your playing and hope to catch you soon for more updates,

Using Multi Effects Units For Your Guitar Playing

20131021140024eddieFor this article a few high lights about using multi effect guitar units. I will not provide a shopping list for which unit to get or what is the best available processor around. Will mention some of my own experience with regards to multi effect units.

The first popular multi effects started to appear during the mid  1980s, the early ones used to be large in comparison to most of today’s units. Once the first multi effectors came out people ditched their compact pedals. Who will ever need them again eh? Well by the early 90s things changed again, and single compact effects were back and today we live in a world where guitarists use whatever they like.

What is there to like about a multi effect processor? Why is a good idea to use one? What about their sound compared to a single compact pedal? Are they easy to use?
All very good questions and there is a lot to say about each question. Most of the answers will depend on whatever unit you use as they all differ in sound and how easy they are to use.

Most beginning guitarists today will get introduced to effects by their guitar amps: Most of today’s amps do come with a handful of effects. These effects are often limited in tweak ability, they are good to give you and idea of what a particular effect will sound like. A multi effector can be viewed in a similar way: They are a great way to access many different effects coming all from one unit. They will give you an idea what each effect will sound like and how you can combine certain effects to create a unique sound.

Okay let us have a closer look at a typical multi-effector: Most of them will come with pre set sounds and the ability to modify- and store any of those pre set sounds. When you go through some of the sounds you will find that some of those sounds are really over the top: Impressive to hear but not really usable to play with. You will also find some signature sounds of well-known guitar players. Again, most of those sounds you will recognise, but they may not be that usable for your own playing.

When you analyse the individual sounds from any of the pre set sounds you will find  that most of those sounds are created out of a combination of effects. This is a typical for multi effectors as they get their sound from the combination of certain effects. Try to modify one effect and you will often find out that you will need to add other effects to this single effect to get a good, usable sound.
All in all this is good, as it shows you how sounds are being created.

How good are the sounds in multi-effectors compared to single compact pedals? Maybe you should not ask. One of the reasons to use multi effectors is to be able to create unique, individual sounds which you may not be able to get from a single compact guitar effects pedal.
If you are really fond of delay sounds it may still be easier to get a single delay unit and get your sounds from there. View a multi effector as a sound generator rather than something you use for one particular sound.

Over the years multi effectors have become easier to use. Some of the Boss ones feel almost like you are using a handful of their single compact pedals in sound and ease. Very good and impressive indeed.

A big advantage of why to use a multi effector must be to have a lot of sounds available from one unit: Very useful for gigs and studio work. It saves time patching around pedals and you can also store your own, individual sounds. Out of all the sounds you get you may have about 10 sounds you really like, and those 10 may be very usable for your own playing.

Once you use a multi effector, why not combine some of the sounds with any of the single compact pedals you already use in your set-up? This will give you even more power to tweak your own sounds.

Once you have created a few, unique sounds do not use these sounds all the time as they will loose their uniqueness. Use the sounds from time to time to keep things fresh.

Enjoy your sound adventures and hope to see you soon again for more updates,

Using Loops in Your Guitar Playing

201102211103091982_Fender_Stratocaster_Gold_CA_10667_frontLoops are little parts of music which repeat themselves over and over again. The idea of using loops in music is not new: The Beatles used a few songs where they started to explore loops. Loops started to appear since the early days of recorded music. There have always been musicians and composers around who explored  and pushed the boundaries of recording technology.
Today there are many musical devices around which can help you with the creation of loops. For this article a few high lights of some of the things you can do with them.

Those of you who are new to playing with loops may think about loops as “backing tracks” Basically a backing for whatever song you want to play. Using loops in this way will let you play an extra part over the loops, or you can improvise freely over the loop.

Once you get  the hang of backing tracks you may want to look for more: What about using the loop in a creative way? Use the loop to play music which is only possible by using the loop.

You can create a short loop, and reloop this idea on another loop which could be longer, you can now layer onto the longer loop to create a bigger piece of music.

When you are shopping for a looping device, look at how you want to use the loop. Do you want to use backing tracks? You may need something with a longer looping time. For most creative looping you will not need long looping time, something like 5 to 15 min. may be long enough.  You still want to be able to play over the loop, the more you put onto your loop the less space there is for you to play over!

Once you get started you will discover other ways how to use the loop, just keep at it and enjoy what you can do.

Good luck and hope to catch you soon again.

Use Your Own Playing as a Guide to Improve Your Guitar Technique

20131228140041IMG_2980For this article a few tips how you can use your own guitar playing to get feedback on your own playing, how you can use what you already like playing to improve your style and your technique.

Are you one of those guitar players who like to mess around with their guitar? Create your own little melodies and chord sequences or sounds? Are you at times unhappy how those ideas sound? Do they sound sloppy at times? Does the rhythm of your playing not always match your ideas? Do you know how to correct it?

As you can see there are too many things to improve, logical as playing music and playing the guitar combines many skills and techniques together to create the sound you like. To get good at all of them you need to play and work on all those skills  individually. The questions students often ask is: “On what should I start working?”  “What is the most important thing to do well?” My answer is: “Look at your own playing and observe all what is weak, break this down into small segments and work on it”

Let me break down the previous statement into a practical example:  A student wants to improvise over a chord sequence using single notes.  Student is not aware of what the chords are and cannot play the rhythm of those chords.  It may be good for the student first to get to grips with those chords, get them to play smoothly and be able to name the chords as well. Once you understand a chord sequence it will be easier to improvise over this chord sequence since you understand the rhythm and all what lies underneath the chords.

Once the student starts working with those chords, student may feel that fingers cannot grip those chords clean, again this is feedback on the strength of your fingers. You could break that down to working on the strength of individual fingers to improve your overall playing.

When you work on technique individually you will be able to monitor how well you are doing: By sticking to particular exercises you will notice how your fingers will get stronger and this will benefit your overall playing for chords and single strings.

Learning from your own musical ideas is a good idea to improve your own playing: Only you play certain riffs and melodic ideas the way you do. All you need to do is observe how well you play those ideas, do they sound smooth? No? Fingers causing problems or is it music such as rhythm? Break down what it is you do not do well and work on it.

It is possible to get ideas to improve your technique from other people, but the ideas they may pass on to you may not be what you need for your own playing.

If you cannot analyse on your own what it is you need to improve your playing ask someone else to listen to your playing. This could be another musician or guitar player, but it could also be anyone who loves music and can tell you what is not right with your music. All you need is someone who can be objective and honest and give you and idea what is going on in your playing.

Once you know what your guitar playing needs you can then seek professional help or search on your own for the guidance your guitar playing needs.

Good luck and hope to catch you later on for some more ideas how to improve your guitar style.

Learning to Play Guitar By Ear

20140306181828IMG_5336For this article a handful of ideas of what you can do to learn to play guitar by ear. Playing by ear is simply playing whatever you can hear or sing.
Learning to play the guitar is about learning to play music, music is a language and most people learn to speak by imitating sounds. You can use a similar approach when it comes to playing the guitar: Simply play whatever you hear. Simple or………….??
It is but the big difference with learning to speak is that we speak with our mouth, to make sounds with our mouth we do not think about what to do, we just utter the words, or sounds and there we go. When it comes to the guitar, there are these six strings,  you can play them with any finger, you can use a plectrum or your fingers and……………you see what I mean.
Most adults in a learning situation will ask questions like: “What finger do I need to use to play this?” Children usually are better, they just play however they can and what feels good for them.

When it comes to playing by ear it is a good idea to also read a little about how to use your fingers or plectrum, also get informed about the instrument, the names of the strings etc. Do not get too seriously wrapped up in all the technical jargon, just be playful. Use this approach to your playing as well.

For those who really will take things seriously, books can help you, also taking up guitar lessons with a tutor ( or sit down with someone who can play and does have patience, time and is willing to show you the first steps).

Playing without any sheets or books feels natural, and it is something you should try to achieve, even if you can already play, but most of your playing may be at the moment from sheets or books.

Playing by ear can be used in the learning process during the first stages, once you get more experienced you can  go and look into particular techniques and topics of playing. Books may be useful as a source to inform you with, after you have internalised the information you can still play some of the material by ear as it will feel more natural.

Keep at it and enjoy your learning process and hope to catch you soon again.

Using Compressor to achieve Overdrive from Your Guitar Amp

For this article a few tips on how you can use  a compressor to push your amp to create overdriven-and distorted sounds. Most of these ideas will work well with amps which do have a gain-and master volume stage. Amps which have only one volume control may not give you the same results, just try to see how your amps responds to the compressor.

Compressors can be used to sustain notes, to add a bit of brightness to your amp and to add more volume to your overall sound. Compressors are also able to excite the overdrive stage of your amp quicker, since they can add more volume to your guitar amp. Using a compressor in this manner may give you a more subtle kind of overdrive instead of the full-tilt overdrive you may get at the moment.
To achieve this sound, basically set your pre-amp (or gain) level just before it kicks in, your sound should still be clean when you play. Now set the compressor up to add more volume, adjust the amount of compression, you do not want too much compression as we are after volume instead of more compression.
Adding a Equalizer to the mix can bring out more treble and may make the sound more realistic. Be careful with how much you boost on the Equalizer, you only want a little bit more treble and maybe bass, depending on your amp. You may even want to put the Equalizer in the loop of your amp, leave the compressor at the front end of your amp, as it will work better at that end.

Compare the sound you are getting using the compressor to your regular kind of distorted (or overdriven) sound. At first you may not feel there is much difference, but it may be just because you may not be used to using the compressor in this way.

Good luck and hope to catch you soon again for more.